Drag on the name to adjust the slider value. When a dialog such as the Layer Style dialog is open you can access the Zoom and Move tools by using Ctrl Command on the Mac to zoom in and Alt Option on the Mac to zoom out of the document. Use the spacebar to access the Hand tool to move the document around. Tools that share a tool palette position and a shortcut keystroke letter can be easily selected using the keystroke letter. So, for example, to access the Mixer Brush which shares a tool position with the Brush tool and if the Mixer Brush is hidden, press B to get the Brush tool.
Finally, not so much a keyboard shortcut as something that can go horribly wrong — pressing the Caps Lock key switches the Brush cursor into precise mode. To bring back some details without decreasing this setting, try increasing the Radius and Contrast settings. A higher number creates a sharper edge and can actually reduce the noisy or grainy look that sometimes comes from a high Radius setting.
Shift Edge. To expand it your selection and grab pixels you missed when you made your initial selection, drag this slider to the right. Decontaminate Colors. This option helps reduce edge halos: Drag the Amount slider to the right to change the color of more edge pixels, or to the left for fewer. Output To.
Here are your options: Selection adjusts your original selection, leaving you with marching ants on your original layer just like you started with. Layer Mask adds a layer mask to the current layer according to the selection you just made. New Layer deletes the background and creates a new layer containing only the selected item; no marching ants. New Layer with Layer Mask adds a new layer complete with layer mask. New Document deletes the background and sends only the selected item to a brand-new document.
New Document with Layer Mask sends the selected item to a new document complete with editable layer mask. Open an image and select the item using the Quick Select tool. Turn on the Smart Radius checkbox and drag the slider to the right. How far should you drag the Radius slider, you ask? It depends on your image.
Press E to grab the Refine Radius tool, or click its icon near the top left of the Refine Edge dialog box it looks like a tiny brush atop a curved, dotted line. Turn on the Decontaminate Colors checkbox and adjust its slider accordingly. Once you turn this option on, drag the slider slightly to the right to shift the color of partially selected edge pixels so they more closely match pixels that are fully selected. From the Output To pop-up menu, choose Layer Mask.
Exhausted yet? You can also use the new Refine Edge dialog box to add creative edges to photos. Be sure to choose Layer Mask from the Output To menu to keep from harming your original image. An edge halo is a tiny portion of the background that stubbornly remains even after you try to delete it or hide it with a layer mask, Layer Masks: Digital Masking Tape. Contract your selection. Use this technique while you still have marching ants—before you delete the old background or, better yet, hide the background with a layer mask [ Layer Masks: Digital Masking Tape ].
Run the Minimum filter on a layer mask. Video explains this super-useful trick. Use the Defringe command. There is, however, one addition: You can turn that selection into a ring by choosing the Border option which is handy if you want to make a neon sign or select the outer rim of an object. Just enter a pixel width, press OK, and poof! Your formerly solid selection is now as hollow as can be. If so, you may have found the experience a little frustrating. Instead, the program simply changes the shape of the selection —in other words, the shape of the marching ants.
You can move the selection around by clicking inside the bounding box and dragging in any direction. If you want to exit the bounding box without making any changes, press the Esc key. The resizing handles let you:. Scale resize. Drag any handle to change the size and shape of your selection. Drag inward to make it smaller and outward to make it bigger. Free Transform lets you apply any of the transformations listed below freely and in one action instead of having to choose and apply them one at a time.
Scale and Rotate work as described in the previous list. Distort lets you drag any handle to reshape your selection. Perspective lets you drag any corner handle to give your selection a one-point perspective—that is, a vanishing point where it seems to disappear into the distance. Warp makes Photoshop place a grid over your selection that lets you reshape it in any way you want.
Using the Warp option is your ticket to a quick page-curl effect. Content-Aware Scale can intelligently resize the unimportant background areas of your image while the subject of your image remains unchanged. Quick Mask mode gives you the freedom to work on selections with almost any tool you want. You can enter Quick Mask mode by clicking the button at the bottom of the Tools panel that looks like a circle within a square or by pressing the Q key.
When you do, Photoshop looks to see whether you have an active selection. If you do, it puts a red overlay over everything but the selection. This color-coding makes it easy to edit your selection visually by painting. Deselect a portion of your selection —in other words, to add an area to the mask—by making black your foreground color chip Foreground and background color chips and then paint the area. Extend the area covered by your selection by painting the area you want to add white you may need to press X to flip-flop your color chips.
Create a soft-edged selection or semi-transparent area by painting with gray. You can create a similar effect by painting with a soft-edge brush.
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Even the Marquee and Lasso tools work in this mode. You can also fill the entire mask, or your selection, with black or white see Filling a Selection with Color , which is helpful when you have a large area to paint or when you want to paint the entire selection by hand. You can run filters in this mode to create interesting edges Brush Strokes or use the Gradient tool, set to a black-to-white gradient, to create a fade Fading Color to Black and White.
Or maybe you need to move the pixels underneath the selection, or onto their own layer. Moving the selection the marching ants within the same layer. You can also nudge the selection into place with the arrow keys on your keyboard.
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Drag to move the selection, release the space bar, and then continue dragging to draw the selection. Moving the selected object the actual pixels within the same document. Press V to select the Move tool and then drag with your mouse to reposition the object. Be aware that a big, gaping hole will appear where the object used to be! Moving the selected object onto its own new layer within the same document. Why is Quick Mask red? Am I stuck with red? Can I make it mark the selected areas instead? First, a bit of history: Back in the days before desktop publishing, this red plastic was cut with X-Acto knives and placed over the parts of images that needed to be hidden.
It was a neat trick at the time. In the Quick Mask Options dialog box that opens, click the color swatch and choose any color you like from the resulting Color Picker. Moving the selected object to another document. The object appears on its very own layer that you can reposition with the Move tool. Moving the selected object to a new document. Photoshop opens a new document, sized to match the object on your Clipboard, into which you can paste the object.
Leave the Operation section of the dialog box set to New Selection to bring back the saved selection as a whole instead of adding to or subtracting from another selection. Press OK and the marching ants reappear, just like you saved them. Filling selections with color is a great way to create shapes and add colorful photo borders to images. Pick something nice from the resulting Color Picker and then press OK twice to dismiss the dialog boxes. Photoshop fills your selection with the color you picked. It works with the Fill command and the Spot Healing brush The Spot Healing Brush by comparing your selection, or brushstroke, to nearby pixels.
Photoshop then fills the area so it blends seamlessly with the background. Which option should you use when, you ask? Want to follow along? Use the selection tool of your choice to select the band member on the left. Grab it from the Tools panel by pressing Shift-L repeatedly until you see it appear. Mouse over to your image and click once to set a starting point, and then drag around the boy, clicking to add anchor points here and there.
For more on using the Lasso tools, flip back to Using the Lasso Tools. As soon as you press OK, Photoshop fills your selection with pixels from the surrounding area. To fix the remaining outline of the missing bandmate, just switch back to the Spot Healing Brush by pressing K in the Options bar, make sure Content Aware is turned on. Until you can actually wish an object out of a photo, this new tool ought to suit you just fine.
While you can stroke selections of any shape, this technique comes in really handy when you use it in conjunction with the marquee tools. For example, you can combine a stroke with the Rectangular Marquee tool to add a thin black outline to your photo or with the Elliptical Marquee to circle yourself in a group picture. When it comes to adding a bit of class to a photo, few effects beat a thin black outline.
10 Best Photoshop Shortcuts
In the Stroke dialog box, enter a pixel dimension in the Width box and then click the little color swatch. Choose a color from the resulting Color Picker and then press OK.
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- Photoshop: How to you hide marching ants in Photoshop cc 2017? CMD+H does not hide selection?
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Remember that you can press the Shift key while you drag to draw a perfect circle, or press the Option key Alt on a PC to draw the oval from the inside out. Move the selection if you need to by clicking inside it and dragging with your mouse. In the Stroke dialog box, tell Photoshop how thick you want the stroke to be. You want it to be at least 2 pixels wide so the circle is thick enough to see. Click the color swatch, choose a color from the resulting Color Picker, and then click OK.
In the Location section, turn on the Center option so Photoshop will center the stroke over the marching ants. Press OK to see your newly circled head. Stay ahead with the world's most comprehensive technology and business learning platform. With Safari, you learn the way you learn best. Get unlimited access to videos, live online training, learning paths, books, tutorials, and more. Start Free Trial No credit card required. Choosing What to Edit. Selection Basics.
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Meet the Marching Ants. To let you know an area is selected, Photoshop surrounds it with tiny, moving dashes that look like marching ants. Here you can see the ants running around the armadillo. FYI, the nine-banded armadillo is the state animal of Texas. Selecting by Shape. The Rectangular and Elliptical Marquee Tools. To summon this pop-up menu, click the second item from the top of the Tools panel and hold down your mouse button until the menu appears. Using the buttons in the Options bar, you can add to or subtract from a selection, as well as create a selection from two intersecting areas.
Since all selections begin at the point where you first click, you can easily select one of these doors by dragging diagonally from the top-left corner to the bottom right as shown here. Tip To cycle between the Rectangular and Elliptical Marquee tools, press M to activate the marquee toolset and then press Shift-M to activate each one in turn. Tip To draw a perfectly square or circular selection, press and hold the Shift key as you drag with the Rectangular or Elliptical Marquee tool, respectively.
Creating a soft vignette. Wedding photographers and moms—not to mention armadillo fans—love this kind of thing! If you forget to feather your selection before you add a layer mask, not to worry: When the Masks panel opens, drag the Feather slider slightly to the right to give it a soft edge. Once you get the hang of this technique, try creating it using the Ellipse Shape tool set to draw in path mode instead, as described in the section on shape tools later in this chapter. Frequently Asked Question: The Softer Side of Selections. To achieve the melting strawberry look shown here, start by using the Single Row Marquee to select a row of pixels.
The Vector Shape Tools. Tip To cycle through all the shape tools, press Shift-U repeatedly. Tip You can use the same technique with the Ellipse Shape tool to create the vignette shown in the previous section. Selecting by Color. The Quick Selection Tool. When you activate the Quick Selection tool, the Options bar sports buttons that let you create a new selection and add to or subtract from the current selection. You can press the W key to activate the Quick Selection tool.
To switch between it and the Magic Wand, press Shift-W. If the color of the objects you want to select differs greatly from the color of their background, like these chili peppers, take the Quick Selection tool for a spin. With this tool activated, you can either single-click the area you want to select or drag your cursor circled across the area as if you were painting.
This mode lets you add to an existing selection or make multiple selections. Workaround Workshop: Smart Auto-Enhancing. The Magic Wand. With its tolerance set to 32, the Magic Wand did a good job of selecting the sky behind downtown Dallas. You can add to the selection by pressing the Shift key as you click in that area, increase the tolerance setting in the Options bar and then click the sky again to create a new selection, or skip to page to learn how to expand your selection with the Grow and Similar commands.
Gem In The Rough: Expanding your selection. After clicking once with the Magic Wand with a tolerance of 32 , you still need to select a bit more of the red left. Since the red pixels are all touching each other, you can run the Grow command a couple of times to make Photoshop expand your selection to include all the red right.
If you want to select the red in these playing cards what a poker hand! In that case, click once with the Magic Wand to select one of the red areas left and then use the Similar command to grab the rest of them right. The Color Range Command.
The Color Range command is handy when you need to select an area with a lot of details, like the red and blue petals of these flowers. Up To Speed: Selecting the Opposite. The Background and Magic Erasers. Just click and hold the Eraser tool until the little pop-up menu appears. Pick an eraser based on how you want to use it: You drag to erase with the Background Eraser as if you were painting, which is great for getting around the edges of an object , whereas you simply click with the Magic Eraser.
Photoshop: How to Turn Off or Disable Marching Ants Selection
The Background Eraser. Even though the Background Eraser is destructive because it erases pixels, you can use it in a nondestructive way by remembering to duplicate the soon-to-be-erased layer first. Then load the erased layer as a selection and use it as a layer mask on the original layer. In photoshop when something is selected, the section is highlighted with a marching ants type pattern. Hiding this can be helpful at times. This explains how to do it. This is not hard, but people around the office are always amazed that it can be done.
The weakness of doing this is that often you will forget that you have something selected if you have marching ants disabled. Your participation helps us to help others.